Identity arises in language, memory, and experience, and falls in the gaps between. My artwork combines systems of identification, such as measurement, accumulation, and mapping, with labor-intensive processes. I am looking for the sense and non-sense connecting mind and body.
The character of my art is rooted in the labors, materials, and natural patterns that defined my rural upbringing. Works are seeded with contradictions and cultivated with patience. I most often use materials and techniques from fiber traditions, which are ancient manipulations of tension designed to control the threat of chaos. I hope these subtle frictions reveal transition and balance between states that are fragile and stubborn, confident and ambiguous, or exact and hidden.